Misleading Feminist Reaction to A Streetcar Named Desire The dramatic climax of A Streetcar Named Desire clearly illustrates the mastery of author Tennessee Williams. The brilliantly constructed text, with its tragic story and seductive characters, pushes the reader to a point where they become emotionally involved in the dynamics of Williams' world. Unfortunately, many feminists are negatively influenced by Williams' captivating writing style. In turn, feminists have developed a very strong set of opinions regarding the climax, often responding with a very personal and emotional discussion of the issues. By focusing on the dynamics of each character and their position during the climax, the feminists present an intelligent discussion on the inevitability of rape and its effect on the characters. Unfortunately, many feminists have a tendency to focus on the morality of rape, rather than exploring its symbolic nature. Many feminists let personal emotions and values ​​influence their arguments, even to the point of attacking Tennessee Williams personally. However, a correct reading of the climax should focus on the symbolism of the event and the positioning of the characters. From this position it becomes much clearer why this disturbing climax was essential, especially when considering the shocking conclusion of the play. Feminists' lack of serious discussion about the necessity of the rape scene is the weak link in their argument. Although feminists admit that the character of Blanche is a woman with more than a few “inconsistencies,” their description of Stanley as a “monster” is not justified. Feminists neglect to consider Stanley's vulnerability as a factor in the rape; but they justify... middle of paper... and rape are archetypes of society, representing the battle between good will and survival, good and evil, class and inhumanity, behind which the driving force is absolute desire!Works Cited and consult Brownmiller, Susan. Against our will. New York: Bantam Books, 1975. Dworkin, Andrea. Relationship. New York: The Free Press, 1087Lant, Kathleen Margaret. “A Streetcar Named Misogyny.” pp. 225-238 in REDMOND.Redmond, James (ed.). Violence in drama. Cambridge University Press; 1991. Spoto, Donald. The kindness of strangers. Boston: Little, Brown and Company, 1985.Williams, Edwina Dakin. Remember me to Tom. St. Louis: Sunrise Publishing Company, 1963. Williams, Tennessee. Memoirs. New York: Doubleday and Company, Inc: 1975. Williams, Tennessee. A tram called Desiderio. New York: Seal. Original copyright 1947.