There is a traditional culture in China called “makeup pattern” which has thousands of years of history from the traditional Chinese art “Peking Opera”. During the Tang dynasties with Emperor Xuanzong (721-755 AD), who founded the Pear Garden (Liyuan, the first Beijing opera), the first known group in China. The group functioned primarily for the personal pleasure of the Emperors, but was later also performed for the people. (Jonas Daniel Vaughan, The Manners and Customs of the Chinese of the narrow Settlements, early 1850) Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original Essay Dramatic actors on stage have an outlined face mask to help enhance characters' character, appearance, status, to achieve rich stage color, beautify the stage effect. The main characteristics of the "makeup model" are three points: First, the ingenious combination of beauty and ugliness, is characterized by the use of different colors of oil paintings, showing a different personality, whether beautiful or ugly character. The colors of the Peking opera mask represent different characters, for example, red represents loyalty, black represents integrity, but yellow represents cruel, white represents treacherous person. (Aaron Christopher Yap, Singapore, 1872), Ancestors use color to express emotions and combine these colors to design masks. As part of traditional Chinese culture, it has been widely recognized both at home and abroad. There are four different characters in Peking Opera, respectively Sheng (male roles, photo 5), Dan (female roles, photo 4), Jing (roles with painted faces, photo 6) and Chou or Clown (a comic character) ( Chinese Opera: Image and Stories, Peter Lovrick, Hong Kong). Laosheng (middle-aged or old), mostly impersonates a character with positive personality, sometimes wears red mustache imitation of Guan Yu face makeup. Xiaosheng (young man) and Wusheng (men with martial skills), Jing (Wen Jing and Wu Jing), all have painted faces. Wen Jing is a variety of colors outlining the mask makeup as a prominent facial sign, showing the personality temperament of rough, wonderful, heroic figures. Wu Jing also has his face painted but different without mortuary skills (Wen), (Wu) is focusing on martial skills like (Wusheng). However, the male clown (Chou) has (Wen Chou) and (Wu chou). These characters have makeup between their nose and eyes, they love funny characters and the makeup is mostly white in color, it also means treacherous people. Wuchou also focuses on martial skills and fun little skills on stage. Peking opera has different types of makeup and patterns, including rubbing, cleaning and hooked face. Face rubbing (Roulian) is the oldest trick in Beijing Opera, it is focusing on different personal character. Face rubbing, the basic form of face rubbing is the entire face, hook method as "rubbing", used to exaggerate skin color, without using skills or other forms, the whole makeup makes the character look powerful, heavy. Use lines to accentuate people's eyes, noses and eyebrows. Make the character's makeup more distinctive. All colors rub directly onto the face with your fingers. The makeup is very real. Blown face is a more distinctive way of Beijing Opera makeup, with white powder on the face to cover the original face, then use a dipped color pen. The details of the nose and face are sketched one by one, because this makeup color is usually a person who is treacherous and dare not show his true face. They use thewhite to cover their original features. Also, the engaging face is different between the rubbing face and the cleaning face. Unlike the other two types of makeup, the character must first lighten the face, then use the pen to draw eyebrows directly on the face, eyes and nose for positioning, and then use the pen to remove excess hair for makeup, then use the tape to lift the eye corner to enlarge the eyes and finally put on the accessories. The colors of the outline are many, usually decorated with gold. The crooked face is a special makeup, which using an asymmetric approach highlights the characters, sometimes expresses the ugly but kind-hearted characters but sometimes says in character and extremely cruel and ruthless. Different faces use the same technique, the direct use of a brush dipped in paint with the facial line features, but all the features are distorted asymmetrical, more asymmetrical says this character is bad. In Peking opera, the difference in face color is that the character and personality of the characters it symbolizes are called dominant colors. The effects of each color are different, the founders use red, blue, white, purple, gold, black and silver, to express the feelings and characters of each role, each color can highlight the characters' character, good or bad, good and evil. Makeup is rich in color, not only because it looks good, but also expresses emotions, people use different faces to express different personalities, red represents courage, blue represents selflessness, and black represents integrity . They all express the same meaning to different levels, courage and integrity, but they use different colors to express the same characters. White means betrayal; green is irritability and yellow is stability. They reflect three completely different characters; can see that these colors are very interesting, when people look at these faces, people can easily identify the character's character by the color of each face. The makeup combines a variety of colors, creating different effects and bringing different shows to the audience. There are many colors in Peking opera, no matter the color of the clothes or makeup. People use different colors to create good or bad characters and special points. There are nine different colors in Peking opera, the nine colors combine with each other, and a new feature has emerged. Red is the color that signifies warmth and happiness. In ancient times, people in China did not paint themselves red, because it was believed that red expels evil. In traditional culture, Chinese red is the color of fire. People believe that red is hope. Additionally, red represents love. In Peking Opera, red represents courage and narrow-mindedness, just like Guan Yu in the Three Kingdoms, the makeup is red. But on the other hand, red has an ironic meaning, as it represents false good people. Black, representing calm and sophistication, represents water in the north as well as in ancient China. In the minds of the Marseille people of Kenya, black represents the overcast sky, the rainy season arrives, therefore symbolic prosperity and life. Even black in the fashion world represents a stable and dignified style. In Peking Opera, black refers to fortitude, courage and wisdom. Just like Bao Gong with black makeup, it is honest and selfless, but sometimes black refers to ugly people or ghosts. White stands for purity, peace and respect. White also brings cold and severe feelings. In ancient China, white represented an insidious and sinister color. In Western culture white symbolizes a white wedding dress and a pure heart, but some people believe that the,.