Topic > The elements and examples of "mise-en-scène"

If the film is effective and expressed visually with the content of what is in the frame and the way it is organized, then everything in the frame can carry meaning staging. Therefore the question arises: “How significant is the mise-en-scène in the film?” Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The frame is composed of contents such as lights, costumes, decorations, props, performances and staging of the actors. Along with the content in the frame, the organization of the elements will also effectively shape the audience's perspective towards things in the characters' "world". This is about expressing the actors' relationship with each other, with their space and the things around them, and also the actors' relationship with the camera. In the book "Mise-en-scene: Cinematic Style and Interpretation", I largely agree with John Gibbs that every element of the mise-en-scène is significant to live up to the context regarding the narrative situation and the "world" of the film. Staging helps create atmosphere, giving a sense of character and mood, as a form of communicating context to the audience. Elements of mise-en-scène include lighting, costume, color, props, decorations, action and performance, space, camera position, and framing. The different elements of the staging can be used expressively, and this varies in its effect on a combination of elements which is thought of more productively in terms of the interaction of elements rather than individually. Lighting can help reveal or divulge information about the character and story and create atmosphere. The costume also conveys the character's appearance, personality, and emotional mood and gives us a sense of time in the story world. What the character wears and how it is arranged can reveal a lot about him, or not much, and both are equally important. On the other hand, color is often applied in the costume to directly associate the character with a color, but can also be used in lighting elements, set decorations, or particular props. Color can also symbolize the characters' values ​​and lifestyle. The film's visual expression can also be provided by the props the character particularly interacts with and can provide meaning through repeated use that shows the character's emotional progression over time in narrative situations. Similar to props, furniture provides character information within a setting and is often inferred as story or character symbolism. Action and Performance is an expressive film that is not shown through speech but through actions. This corresponds to the personal space between the performers and the block in expressing the relationship between the characters and the patterns formed in the positioning of the actors. John Gibbs further stated that "Even decisions such as whether to follow a character who 'leads' the camera, or whether the camera has anticipated the character's arrival can subtly shape the relationship the audience has with the character and the story." camera position has an influence on the relationship between audience and character. By presenting what is in the frame, it also has control over the audience's access to the character's action and determines their understanding of the scene of the camera may hinder the audience's experience of a performance. The character's perspective may be limited as well.