Fiction or Real Life in Literary Work: The SeriesIn literature people cannot notice how much fiction or real life there is in a story, although sometimes writers base their stories on about personal events or people that have affected their lives in many ways, this inspires them to write their books. How do an author's real experiences influence his or her literary work? Authors usually base experiences in their narrative, when the writer incorporates events from his life into their stories, it makes readers feel as if the situation being told is real and can be more convincing and make it believable, and occasionally pushes readers to create an atmosphere in which they can relate to the situation. Gao Xingjian argues that “It is in literature that true life can be found. It is under the mask of fiction that the truth can be told” (The Guardian 23). This means that in every book or literary work some truth or real life facts have been captured, but they may not be noticed frequently, but sometimes the story has that impact on the readers; that they enter. The Hoover Library describes fiction and nonfiction as “Fiction, refers to literature created by the imagination; and Nonfiction which refers to fact-based literature. It is the broadest category of literature” (“What is the difference between “fiction” and “nonfiction”?”). Having conflicting evaluations of a piece of writing doesn't just depend on how individuals view them. Likewise one must consider how they influence the way a man manifests and feels, all things considered. People can discover topics in writing and apply them to their lives. The subjects of a story can change a viewer's ethics, considerations, activities, and morals. The same encounters that shaped the...... center of the card...... admits “We are all influenced by the world around us and have individual and unique experiences that influence our personalities. Likewise, an author is influenced by his past when he writes” (“How an Author's Life Influences Literary Works”). In this way, the more people think about the author, the better the reader can understand the messages central to assembling his work. The better the audience knows the story before anyone reads it, the better the reader will be at discovering visual elements that serve that story – and the more people will refrain from investing an excessive amount of energy and money. on a fantastic photograph that doesn't convey much. In fiction, inventiveness is the magic that binds the work, and a creator offers herself to the thought that a feeling of stupid fiction will draw her out of the bond.