Fiction is regularly divided into an assortment of subsets, called classes, each normally united by story procedure, tone, substance, or criteria characterized by prevalence. Science fiction often predicts or presupposes innovations that are not substantial at the time the work is created. Whether it's a recorded event or a family story, authentic occasions offer rich motivation for fiction journalists. However, they also create numerous difficulties regarding plot progression, character creation, and coherence with the events and people included. You can compose a story in light of authentic events by being willing to change real occasions, transforming certainties into plots, and understanding the moral issues that accompany this source of motivation. A test of exposure on authentic occasions is the temptation to conflate everything that had an effect in the story. As the circumstances of the authentic and author-evoked universes are made more distinctive, occasions and characters can change to fit the story. Despite the fact that the latest draft may be at odds with their unique memory, they are willing to deviate from that